September 15 – December 8, 2019 / John Young Museum of Art
An exhibition of original photographs by Francis Haar documenting the changes to ‘A‘ala, the neighborhood that is now Honolulu’s Chinatown, during the 1960s. The exhibition is curated by Gaye Chan.
An exhibition of original photographs by Francis Haar documenting the changes to ‘A‘ala, the neighborhood that is now Honolulu’s Chinatown, during the 1960s. The exhibition is curated by Gaye Chan.
Ancheta, Dillon. “Take a Peek into the History of a Honolulu Neighborhood with This New Exhibit.” Hawaii News…
March 8 – May 5, 2019 / John Young Museum of Art
UH-Mānoa is proud to be one of the key sites of Honolulu Biennial 2019 to showcase four artists selected for To Make Wrong / Right / Now.
UH-Mānoa is proud to be one of the key sites of Honolulu Biennial 2019 to showcase four artists selected for To Make Wrong / Right / Now.
September 4, 2018 – February 15, 2019 / John Young Museum of Art
The Vie Du Pacifique II Print Folio 2016 is a collaborative project organized by Jennifer Sanzaro-Nishimura, an artist and a faculty member at Queensland College of Art, Griffith University. She conceived of the project to resist fear-driven politics that erect false racial and cultural barriers by creating possibilities for artists to have face to face contact in collaborative workshops and residencies throughout the Pacific region.
The Vie Du Pacifique II Print Folio 2016 is a collaborative project organized by Jennifer Sanzaro-Nishimura, an artist and a faculty member at Queensland College of Art, Griffith University. She conceived of the project to resist fear-driven politics that erect false racial and cultural barriers by creating possibilities for artists to have face to face contact in collaborative workshops and residencies throughout the Pacific region.
March 4 – May 4, 2018 / John Young Museum of Art
Artists participating in this exhibition deal with various aspects of the Hawaiian body extended. This can involve kino lau, the many physical forms taken by Hawaiian akua (deities) or ‘aumakua (family deities), but the concept applies to other metaphoric extensions of the collective Hawaiian “body” as well. Artists may address aspects of (reactions to) colonialism as well as the post/colonial Hawaiian body.
Artists participating in this exhibition deal with various aspects of the Hawaiian body extended. This can involve kino lau, the many physical forms taken by Hawaiian akua (deities) or ‘aumakua (family deities), but the concept applies to other metaphoric extensions of the collective Hawaiian “body” as well. Artists may address aspects of (reactions to) colonialism as well as the post/colonial Hawaiian body.
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