Border Waters: Currents from Hawai‘i and Beyond

Editor’s Note

Kara Briggs

Midori Fujioka

Amanda Galvan Huynh

Linda Liem

Pat Matsueda

Shawna Yang Ryan

Joseph Stanton

Jake Eduardo Vermaas

Emily Viglielmo

Wendi White

Photo by Odiseo Castrejon on Unsplash

Illness as a Form of Existence

2020/2021 Issue

Guest-edited by Tracy Robert and Liz Abrams-Morley

Notes on the Issue

Poetry

Barbara Crooker

Ruth Dickey

Katrina Hayes

James Mancinelli

Michelle Matthees

MaryAnn Miller

Adele Ne Jame

Angela Nishimoto

Lois Roma-Deeley

Sibanda

Alison Stone

Antonio Vallone

Fiction

Julie Gard

Linda Lenhoff

Sara Kay Rupnik

Nonfiction

Thomas Farber

Cameron Gearen

Matthew Goodman

Lillian Howan

Kathryn Trueblood

Eric Wilson

Book Review

Pat Matsueda

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In 2019, Richard Powers won the Pulitzer Prize for The Overstory, a five-hundred-page novel about trees. A memorable line: “She sees it in one great glimpse of flashing gold: trees and humans, at war over the land and the water and atmosphere. And she can hear, louder than the quaking leaves, which side will lose by winning.”

This is the Pyrrhic situation we find ourselves in, and if 2020 is hindsight, may it also be foresight: We need to stop battling the planet that gives us life and learn from those who’ve been inhabiting it more peacefully and responsibly all along. There’s so much to do, and so little time, and we’re direly in need of the political will to institute the changes that will make the most difference. If we fail to correct course, those humans who make it through the eye of the needle will surely look back and wonder what the hell we were thinking; at least they will have our artists to witness that not all of us were as deranged as the powers that were.

Tom Gammarino enjoys making stuff. His most recent (published) novel is King of the Worlds (Chin Music Press, 2016); his other books are Big in Japan (Chin Music Press, 2009) and the novella Jellyfish Dreams (Amazon Kindle Single, 2012). Shorter works have appeared in American Short Fiction, The Writer, Entropy, The New York Review of Science Fiction, The New York Tyrant, Bamboo Ridge, The Hawai’i Review, and elsewhere. He has received a Fulbright fellowship in creative writing and is the 2014 recipient of the Elliott Cades Award for Literature.

Eric Paul Shaffer is author of seven books of poetry: Even Further West; A Million-Dollar Bill; Lāhaina Noon; Living at the Monastery, Working in the Kitchen; Portable Planet; RattleSnake Rider; and Kindling: Poems from Two Poets. More than 500 of his poems are published in America, Australia, Canada, Costa Rica, Germany, India, Iran, Ireland, Japan, the Netherlands, New Zealand, Nicaragua, Singapore, and the United Kingdom. Shaffer received Hawai‘i’s 2002 Elliot Cades Award for Literature, a 2006 Ka Palapala Po‘okela Book Award for Lāhaina Noon, the 2009 James M. Vaughan Award for Poetry, and a 2019 Ka Palapala Po‘okela Book Award for Even Further West. He teaches composition, literature, and creative writing at Honolulu Community College.