The Cat in the Hat, War of the Worlds and more at Kennedy Theatre September 4, 2018 UH News The Fall 2018 season includes Dr. Seuss, Orson Welles, The Good Person of Setzuan and dance.
UH celebrates 2018 Poʻokela award winners August 9, 2018 UH News Congratulations to the University of Hawaiʻi students and faculty for their Poʻokela Award nominations and wins.
Construction projects on Mānoa campus during summer sessions May 10, 2018 UH News Although disruption is expected to be minimal, students, faculty and staff are asked to be aware of the projects and to plan accordingly.
Spring Footholds: Transitions showcases student choreographer and performers March 1, 2018 UH News Spring Footholds features seven distinct dances highlighting imaginative and innovative student choreography and performance.
Ring in Chinese New Year with Flights and Delights: Three Chinese Comedies January 22, 2018 UH News UH Mānoa’s Kennedy Theatre presents three plays filled with acrobatic contortions and exhilarating battles to entertain audiences of all ages.
Heart-pounding Taiko Drum and Dance: Hana Hou! at Kennedy Theatre October 31, 2017 UH News The concert featuring Kenny Endo and the Taiko Center of the Pacific explores interactions between taiko and diverse dance forms.
Spitfire musical, taiko and dance, Chinese “clowns” and more at Kennedy Theatre September 11, 2017 UH News Kennedy Theatre announces the 2017–18 season for the mainstage, primetime and late night in the Earl Ernst Lab theatre.
Hope and transformation at Kennedy Theatre’s The Spitfire Grill September 6, 2017 UH News Filled with heart, passion, and folk-based songs, The Spitfire Grill is a musical about discovery and recovery in difficult times.
Power and Folly: Japanese satire for the 21st century April 7, 2017 UH News Directed by Julie Iezzi, in collaboration with three visiting master kyogen artists, students perform in a 600 year-strong comedic form called kyogen.
Shakespeare’s comedy Twelfth Night set in a Strictly Ballroom setting January 14, 2017 UH News Director Paul Mitri hopes audiences feel that they’ve entered a Fred Astaire movie when they enter the performance space.